In recent years, the South Korean film industry has seen a shift towards heavier themes and cultural narratives, especially in the post-pandemic era. However, Love in the Big City movie brings back a sense of nostalgia for the ‘trendy dramas’ that once captivated audiences. The film is based on the novel “Jaehee”. It premiered at the Toronto International Film Festival, where its artistic merit was highlighted.
The story revolves around two different characters:
Jaehee, a brave woman indifferent to society’s opinions, and Heung-soo, a gay man in search of his identity. Their relationship develops from a chance meeting at university. They discover a unique bond defined as “we cannot love each other, but we understand each other better than anyone else”. This refreshing take on friendship challenges conventional romance narratives.
Society often imposes norms on how relationships should unfold. However, Love in the Big City captures the essence of young adulthood. It explores the journey of self-discovery. This film is not just for the young. It resonates with anyone who has experienced the complexities of their 20s. The film skilfully balances lightheartedness with profound themes, making it engaging without being overwhelming.
It offers both a reflection for those in their 20s and a nostalgic look for those in their 30s and beyond as they watch Jaehee and Heung-soo navigate their lives. The film encourages younger audiences to reflect on their paths, while prompting older viewers to reminisce about their vibrant youth.
Ultimately, Love in the Big City stands out as a much-needed addition to contemporary cinema.
It proves that even in the midst of societal pressures, personal connections and the search for self can be depicted in a joyful, relatable way. This film is not only a celebration of love in its many forms, but also a testament to the enduring spirit of youth.
Max